A Film: Call Me By Your Name

Films stimulate our imaginations and provide us with thrills. As a result, every film that has been shown must be reviewed. Everyone has a different opinion about the movie they watch, and reviews will vary from poor to decent to fantastic. Since they concentrate on all of the concepts discussed in a film, professional critics often help us appreciate a film we haven't seen. This paper is a study of a new film titled Call Me by Your Name, which was published in 2017. Luca Guadagnino's latest film, Call Me by Your Name, is about first love. It is based on the novel written by Andre Aciman and a screenplay by James Ivory. The events of this film date back to early 1980s, in the north of Italy. A 17-year-old Italian boy, Elio used to spend time with his family members reading, playing music as well as flirting with Marzia who was his friend. The boy was very close to his father, Michael Stuhlbarg, who was an eminent professor that specialized in the Greco-Roman culture. His mother, Annella who was a translator, was also close to him and this enhanced the growth of fruits of high culture and overflows of natural delights in him. He, therefore, grew to be a fully-fledged adult though concerning the matters of the heart he stills remained unformed and innocent.

The characters of the film act their respective scenes pretty perfect. For instance, Elio portrays the awkwardness of a teenager as well as a corresponding sense of certainty. Michael Stuhlbarg plays well as the professor of archeology as well as portrays a most forward-focused parent in the history of movies and films. Hammer act as the most famous Winklevoss twin in the social media and is a terrific object of attraction that cannot be easily reached. For the case of Oliver, he tries his best, and his actions in every scene he acts are very close to perfection as well. According to Hannah, this is evident in the scene where he acts unable to break an egg during a breakfast meal.

The life-changing experience Elio encountered was the arrival of Oliver, an American Doctorate scholar, who together with him discovers the beauty of awakening a desire during one summer. This experience was an amazing one that proved to alter their lives forever. From the beginning, Elio sees Oliver be confident, though denigrates him as someone arrogant. He is thrilled by his knowledge and worldliness, but his sense of entitlement puts him off. Despite this, there is a strange magnetism that attracts Him to Oliver in a strange manner that the local girls have never. He is uncomfortable, and Oliver teases him as he approaches a physical relationship without haste. The reason for this is that Elio is still young and does not know exactly what he desires. Hannah in her review says that Elio is opposite to Oliver. He behaves like a boy who has fallen straight from a song written by The Cure (Hannah, 2017).

The producer of the film tells of how he developed the romance, which changes all the parties involved. He likens it with a feeling of getting drunk. The romance is a little dizzying but smooth and fills every scene of the film with life. Throughout the film, the trees are shown to be heavy laden with fruit, cricket is chirping, a constant soundtrack is heard, and people are always eating. The long summers are shown to move along smoothly full of activities like swimming, and cycling. Each day that ends with feelings of that are unvoiced, leads to regret and loss since there was no possibility of having the day back. All through, the theme of romance is portrayed. According to Bradshaw, two main characters, Elio and Oliver, have romantic relationships with the local Italian ladies and it is clear where the relationships are heading.

According to Bradshaw, Call Me by Your Name is an erotic film that climaxes in an amazing speech made by Elio’s father. It is an excellent gesture of moral goodness, understanding, and wisdom (Peter, 2017). From my point of view, I believe this comment is true since all the scenes portray respect for the elders as well as the young ones taking heed of any advice given by them. An example is respect and obedience that Elio had for Oliver. According to Hannah, Gudagnino portrays the theme of moral goodness and wisdom through Oliver. For instance, Oliver can resume a conversation that was initially cut short, and this becomes a running gag throughout the film.

Guadagnino successfully generates beautiful and rich moments throughout the film that the viewer feels like conserving them forever. He can develop an incredible amount of lightheartedness that makes the film so unique and perfect among the other movies and films found in the modern cinema. Hannah supports this by saying that the film has some form of casual effortlessness that does not feel constricted at all. Also, the scenes seem to happen naturally rather than just being clear that they were orchestrated or staged. An example is portrayed by Elio and Oliver when they spend time at the pool and as they ride their bikes together.

The film was made successful by the fact that at some point in time, everything is happening and nothing seems to be happening at the same time. These moments that are well controlled, intensely weighted and realized act as a thriller throughout the film. Bradshaw, in his review of the film, says that the characters would catch the eyes of their colleagues in the hall downstairs and while in their adjoining bedrooms. Elio and Oliver, for instance, could notice each other when changing into their swimming costumes.

The film can make someone yearn for a love that hurts as much as it hurts Elio, It also teaches us that time, love and romance have a deep relationship that is worth understanding. The speech of Elio’s father at the end of the film is overwhelming. He quotes that individuals rip so much through love faster than they can go bankrupt at the age of thirty is filled with tenderness.

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References

Hannah Bahl. http://berlinfilmjournal.com/2017/02/berlinale-2017-review-call-me-by-your-name-by-luca-guadagnino/. Accessed 07/06/2017

Peter Bradshaw. https://www.theguardian.com/film/2017/oct/26/call-me-by-your-name-review-luca-guadagnino-armie-hammer. Accessed 06/07/2017